Sainkho Namtchylak returns to Taipei

sainkho- DOM Moscow 2005-
Tuvan folksong / extended vocal techniques / throat singing-diva Sainkho performs once again in Taiwan. Sainkho was born in Soviet-era Tuva, in a Siberian outpost within eyesight of Mongolia. She developed more than average singing skills and during the late 1980s she took advantage of the political/cultural reformations (perestroika) to set out on an innovative career that soon put her in the international ranks of outstanding, progressive singers.

She moved to Austria in 1994, and was begged to come back to Tuva by president Sholban Kara-ool this month, while she visited Tuva.

She established her name with sweat and original interpretations of Tuvan songs in the early 1990s and experimental work. Nowadays much of Sainkho’s output is ecclectic, avant-garde, with an electrifying, ear-catching aura to it. She is an amazingly busy and energetic performer, who constantly travels the world to collaborate with ever new musicians, pouring out CD after CD, and re-inventing herself every year.

Exactly ten years ago, she gave a memorable concert in Zhongshan Hall, and a throat singing workshop in TNUA (reported in Chung Mingder’s book OM. Overtone singing as meditation). At that time she brought with her German Popov, an old friend of mine from Amsterdam (born in the Ukraine), and singer/guitarist Caspar David Sacker from Austria. I am happy to see that this time she works with a local musician (and again a friend of mine), the Taipei-based pianist Lee Shih-Yang. Also taking part will be Dickson Dee, a Hong Kong sound artist.

This concert is highly recommended for all people interested in Tuvan/Mongolian music, throat singing and new vocal techniques. When I spread this message through my Fusica newsletter there were still tickets left. Now there aren’t…  But I had reserved a bunch of tickets for the students of my R E S O N A N C E  course through Lee Shih-Yang. If you are interested respond quick (reply below) and I can see if he still has a ticket for the October 5 show for you . Tickets are 500 NT$ minus a little discount. Hope to see you there!

2014新點子樂展Innovation Series – 人聲風景「即興篇」
SoundScape-Improvisation Across the Horizon

基本 CMYK

Videolink Youku
Taipei,

Experimental Theatre

October 4 19:00

October 5, 14:30

Breath-performance @ Red Room Aside

 

Tonight I am going to do a short ‘breath performance’ at a special edition of Red Room, the monthly event in the Aveda kitchen hosted by Chu Ping and Roma and Manav Mehta. The breath is a central focus of my performances, sometimes in the foreground, always in the background. And I thought the news of the passing away, on August 20 2014, of Bellur Krishnamachar Sundararaja (or simply ‘B.K.S.’) Iyengar would be a fitting occasion to start and end the performance using special breathing techniques.

Aside 6 Invite

 

Iyengar was instrumental in bringing yoga to the west in the 1950s and began to adapt it to the different lifestyles of American practitioners. Though he received criticism for changing the one-to-one transmission to a group practice and using physical tools such as woodblocks and straps, there can be no doubt that his methods have been a great success and have benefited hundreds of thousands of people in the West. And one can certainly not say that he himself was not fully part of the tradition, as an early video of him with is his own guru Tirumalai Krishnamacharya demonstrated. This is the full version of the 1938 film, but you can find several shorter sequences on Youtube.

It was Tirumalai Krishnamacharya who traveled India to promote hatha yoga and its associated practices and philosophies and thus began the revival which then crossed over to other parts of the world.

Tirumalai Krishnamacharya

Tirumalai Krishnamacharya shortly before his death in 1988, aged 100

One may certainly include me in the league of teachers who misinterpret yoga or use its name for purposes other than its original intentions. But I do not agree with those criticasters who deplore what Iyengar has done. I think yoga is a fantastic practice and profound philosophy that can benefit people in many different ways. Indians should be proud to see so many people around the world doing some form of yoga or yoga-derived practices today.

I am very often in favor of traditional practices above modern forms myself, for example when it comes to indigenous music. But the modernisation and adaption process is irreversible and in the case of yoga, even those not-so-dedicated practitioners like myself learn things and solve problems that you can not learn otherwise (I struggled with lower-backache for many years; physiotherapies did not solve it but hatha yoga did).

So to thank and honour Mr. Iyengar I will begin tonight’s performance with a very extended, silent inhale and finish with a very extended, resounding exhale.

If you are curious, read more about Iyengar in the Washington Post and on The Atlantic.

聲音的【共鳴】工作坊 2014 – 2015

 

EDM_1

聲音的共鳴_中文Resonance Yeargroup Chinese

 

聲音的【共鳴】 工作坊

2014 – 2015

 

踏上以聲音探索自我之旅。

發掘自我聲音的無限潛能!

 

你想要發掘自我聲音潛在的可能性以及探索周身環境中的共鳴嗎?音樂深深地觸動你嗎?又或許你希望擁有打動人心的聲音?你相信音樂與聲音能作為帶來轉變的有力工具嗎?並且,你想要更進一步認識聲音與音樂的本質?

 

【共鳴】 何謂共鳴?

當你對著鋼琴發聲,音板上的琴弦會與你的聲音共鳴,產生回響。當靠近身體擊鼓時,你有時會感覺身體骨骼中傳遞鼓聲的節律。加以訓練,你將發現更多幽微的振動。總體來說,當一個物體受到另一個運動中物體的振動,我們稱之為共鳴。

本工作坊名為【共鳴】—指的即是聲音間的互動以及各式振動。【共鳴】這門課將教你更善於運用自己的聲音與雙耳聆聽的能力,變得對聲音和當中的共鳴更為敏銳。生而為人,我們本自具備聽見自己聲音的反饋,但極少人有意識地去運用這項能力。課程中你將學習「發出聲音」這回事的無限潛能,無論是說話、吟詠、還是歌唱,從全新的角度「聽見聲音」並終能諦聽自我深藏的內在聲音。

為求裡裡外外許多聲音達到和諧的共鳴需要花一定的時間。在當今快速的世界中我們總想要做太多的事。【共鳴】邀請你不必強迫自己去駕馭或是掌控某件事,而是退一步打開感官的大門,去聽見有何存在的聲音。是以這門課邀請你給自己十個月的時間融會新的聲音練習方式、吸收新知、和了解在這飽受影像干擾轟炸的世代中聲音所扮演的重要性。每一堂課過後,你將有約四周的時間練習、閱讀和產生新的覺知觀察。我們鼓勵學生間成立讀書會或相約一起練唱來加深彼此聲音的經驗和交流心得。

泛音演唱技法是本門課的訓練基礎。你會浸淫於樂音的本質中,那些我們的雙耳與聲音熟知卻不曾意識過的合音。你將從客觀科學的角度認識與運用自我聲音中的共鳴特型。課程將有許多課堂練習,夾以投影片和地音樂軟體輔助。實際訓練方法將以帶實驗性和個人化的方式進行、使你能夠更自由與恣性地表達自我,運用你聲音中本自俱足的豐富音色。

 

【日程大綱】

2014.09.20  週六

《課前免費視聽講座》

早場 10:00 -12:00 / 午場 14:00 – 16:00

開放自由入場。

開課前兩場試聽座歡迎所有想要認識這門課的人參加。對於課程接下來將如何進行有疑問的人可以在參加試聽講座後決定是否報名接下來的課程。

2014.09.27  週六   10:00 – 17:00

《引言》

課程概要;誰是誰?為何要音樂?為什麼談【共鳴】?又為什麼是你?

《科學、聲音、和自我》的全新切入點。基本技巧一。

2014.10.25  週六      10:00 – 17:00

基督教兄弟會們:以合唱帶出合音。以合音和母音為本的《垂憐經》。理論概要:泛音列和基本名詞介紹。基本技巧二。「看見」你的聲音。

2014.11.22 週六     10:00 – 17:00

喇嘛們:梵唱中的聲音與共鳴。OM中的音義與非音義。何為人聲?又何為聲音?基本技巧三。

2014.12.28  週日     10:00 – 17:00

前基督教、基督教與後基督教時代。米歇爾費特大師遺留的寶貴資產。激進的道途和新儀式。本日放下方法技巧!

2015.01.24  週六     10:00 – 17:00

音樂會排練(一)人聲與人身。運用聲音溝通交流。單口、複音與協音。

2015.03.14   週六     10:00 – 17:00

泛靈巫師信仰:緊縮的喉嚨、豐沛的自然界、無止的天空。聲音的易變、現實的易變。 音樂會排練(二)

2015.04.11 &12   週六、週日連續兩天         10:00 – 17:00

音樂會排練(三)基本技巧與你獨特的聲音。什麼是獨屬於你的【共鳴】?捕捉當下的精神。經由其他人的聲音和耳朵後—你的聲音。

音樂會「呈現」。

2015.05.16 週六       10:00 – 17:00

《重複、重複、再重複》

觀想無聲、無識、無身。樂器與其他媒介。

2015.06.13   週六        10:00 – 17:00

《反思》

心得分享。關於「技巧」的一些結語。聲音作為宇宙的核心 / 宇宙核心的聲音。

課後聚餐!

 

 

【課程關鍵字】

 

學習發聲技法

聆聽的練習

各式觀想練習

透過電腦「看見」你的聲音!

工作身心靈

集體吟唱

聲部安排

探索人聲中的諸多音色

認識各脈絡下的泛音:

  • 梵唱
  • 葛利果聖歌
  • 泛靈與薩滿文化信仰
  • 民俗音樂
  • 即興樂
  • 西方神秘主義作曲家
  • 聲音治療

 

 

【關於語言】

這門課老師將以英語授課。現場會有專業翻譯視需求做整段中文即席翻譯。課程中做聲音練習的許多時候是無須言語的,僅需你與你的「聲音」盡情參與,是以更不必擔心語言的問題。

 

 

【時間】

每個月的一個週六。

2014.09.27

2014.10.25

2014.11.22

2014.12.27  週日

2015.01.24

2015.03.14

2015.04.11 &12  週六、日連續兩天

2015.05.16

2015.06.13

 

共計十堂課。

 

 

【地點】

 

《肯園香氣私塾教室》

地址:台北市復興南路2段151巷3號4樓

近捷運「科技大樓站」。

 

 

 

【課程對象】

 

想開發自我聲音的一般大眾、音樂人、治療師、文創工作者、任何在生活中尋求平衡的現代人。無須擁有音樂資歷。對於曾學習過泛唱的朋友們,這門課仍有許多可以教給您。如果您有任何疑問,歡迎來信或致電與我們聯繫,我們將盡所能回答您。

【 報名】

我們提供幾種報名方式。對有經濟能力的學員,我們將給您十堂課的報價,包含優惠方案。針對有強烈熱誠願意付出時間努力練習,本門學費卻超過您經濟條件許可的學員們,請來信與老師商議在您經濟範圍許可下的其它方案。我們也歡迎學員或非學員做額外的捐助,您的捐款我們將用於課程用書的翻譯、推廣本門課相關的免費音樂會以及呈現所需的資金。

 

 

每位學員將獲得:

  • 課程用書 / 音樂CD

《泛音詠唱》Overtone Singing (英文)作者:馬克老師

  • 課程延伸閱讀的資料光碟
  • 課堂講義

 

 

 

【共鳴】工作坊(十堂課)學費總計1,5000元。

請於開課前完成報名繳費。

 

學生與超過六十五歲年長者享七五折優惠!

7/30日前報名享早鳥八五折優惠!

 

開課前繳納首期(50%,7500元)的學費即完成報名。第二期學費(50%,7500元)請於開課後三個月內(2014.12.31日前)繳納。

 

報名方式:請來信告知我們您的大名、地址、匯款帳戶末4碼及行號。我們將通知您匯款資訊。

 

 

 

【報名請洽】

info@fusica.nl(英文來信)

chichenlyv@gmail.com(中文來信)

 

【連絡電話】

0933-178-272 李小姐

(02)2772-1801 安琪拉/肯園香覺戲體

 

歡迎與我們聯繫,索取詳細報名簡章。

 

〈退費說明〉

本工作坊設計為一整年,我們不建議學員只參與部份課程。一旦報名我們即希望您完成整年度的課程。首期學費繳納完成後,開課前若臨時欲取消報名,我們將酌收5%的手續費。

 

【招收名額】

為了讓每位學員都得到老師個別指導,本工作坊的人數上限為12人,額滿為止,請儘快報名!

 

【認證以及未來訓練計畫】

我們將以開放的精神討論每位學員日後要走的音樂方向。對於想要進一步精進的學員,未來仍可能開立進階課程。本期期滿Fusica將頒布結業認證給各位。

 

【講師】

MvTbyYJH

Mvt by YiJin Hsieh

馬克老師(Mark van Tongeren),原籍荷蘭,是一名融合藝術與科學的資深聲音表演工作者。在藝術表演上他著重音樂的戲劇表現性,合作對象包含即興創作者、作曲家、音樂家(馬友友、台灣原住民音樂家)、舞者和視覺藝術工作者。近期參與作品為 驫舞劇團《裝死》於國家戲劇院的演出。他同時也是位民族音樂學家, 長年旅居阿爾泰、地中海、西藏深入研究當地音樂,向大師學習, 並得到國際知名圖瓦喉唱團體(Huun Huur Tu)真傳 。鑽研南西伯利亞、圖瓦、蒙古和西藏等地區的民族音樂。2013年以藝術表演研究取得荷蘭萊登大學音樂學博士。所著《泛音詠唱》Overtone Singing書+CD涵蓋泛音唱法的各個層面。擁有25年海內外音樂教學經驗, 曾任教於台北藝術大學戲劇學系(2003-2004客座講師),政治大學創意實驗室(2012-2014) ,肯園香氣私塾「聲音瑜珈」(2013-)。近年來與荷蘭頌缽傳奇Hans de Back舉辦多場音樂會,並開始接觸聲音治療的領域。目前與其妻溫佑君以及他們的兩位小孩定居於台灣。

Voice Yoga dates 2014

L1050442

VOICE YOGA

In this class we use the voice in its immense richness, not only as a musical instrument, but as our primary tool to communicate and exist through/with/for/from sound. In Voice Yoga, sound, silence and resonance become a mirror for the self. The sounds produced by ourselves,  allows us to ‘see’ ourselves more clearly, to hear what’s living deep inside us. In ever-growing cycles of creating and perceiving we learn about music and sound, about ourselves and about the environment. A ‘quintessence of science, sound and self’ as I  called it in my book Overtone Singing.

DATES AND TIME FOR 2014.

EVERY THURSDAY, 10-12 AM

JANUARY 9, 16, 23, 28

FEBRUARY     13, 20, 27

MARCH         6, 13, 27

APRIL         3, 10, 17, 24

MAY         1, 8, 15, 22, 29

JUNE     5, 12, 19

AUGUST     21, 28

SEPTEMBER      4, 11, 18, 25

OCTOBER     2, 9, 16, 23, 30

NOVEMBER     6, 13, 20, 27

DECEMBER     4, 11, 18, 25

PLACE

Canjune Training Centre, 4th Floor, number 3 , Lane 151, Fuxing South Road, Section 2, (this is about 20 meters from the corner of FuXing South Road, go up the stairs to the hairdresser and take the elevator to 4F; if you’re early the streetdoor may be closed). Nearest MRT: Technology Building (10 min. walk). Telephone training centre: 02 – 27 00 72 91.

RESERVATION

Please notify us of your intention to join the class, by sending a text-message (SMS) with your name to 09-10  38 27 49.

For those unfamiliar with Voice Yoga, the information about Voice of Dao posted earlier still stands.

L1050441

R e s o n a n c e 2014-15

EDM_English

“The world is not for beholding; it is made for hearing.” (Jacques Attali, Bruits/Noise, 1977)

 Download the full program as a pdf: Resonance_Yeargroup_English  (in the new tab, click again on the red link that appears).

Do you want to discover hidden dimensions of your voice, of yourself and of the physical vibrations that surround you and shape you? Does music touch you deeply, and do you wish your own voice could touch deeply too? Do you believe that music and sound are somehow powerful tools for transformation, and that you should know more about it?

Then join R E S O N A N C E   and discover the hidden dimensions of your voice!

R e s o n a n c e ?

When you shout a tone into a piano, many strings stretched on the soundboard inside the piano will start to resonate with your voice, creating an echo-like effect. When you beat a drum near your body, you can sometimes feel its pulse in your bones. When you train yourself, you can perceive many more subtle effects of vibrations. In general, when one body picks up the vibrations of another body in motion, we call it resonance.

The title of this course — R e s o n a n c e — refers to such interactions of sounds and other vibrations.   R e s o n a n c e   teaches you to better use and understand the power of your voice and ears, to be more sensitive to sound and resonance. As a human being, your voice and your own hearing of your voice already comprises a feedback loop, but one that very few people use in a conscious way. With   R e s o n a n c e   you will learn to tap into the hidden potential of making sounds (speaking, chanting, singing), listening to sound and ultimately, becoming senstive to your deeper ‘inner voice’.

To allow the many sounds (inside and outside) to resonate with each other in a more balance way takes time, because in our rushed world we want to do too much all the time. R e s o n a n c e   is an invitation not to force yourself to ‘master’ or control something, but to step back, to open up the doors of perception, and to hear and see what’s there. Therefore this course invites you to give yourself ten months time to incorporate new ways of practising with your voice, to absorb new ideas and understand the paramount role of sound in a world that bombards us with images and distractions. After each sessions you have about four weeks to practise, read and make new observations. Students are encouraged to set up a physical or virtual reading/singing group to deepen their experience and exchange knowledge.

Overtone singing

The backbone of this training program is the overtone singing technique. You will deeply immerse yourself in the fundamentals of musical sound, the harmonics that our voices and ears know well but our mind knows not. You will acquire expert knowledge and skills about the resonance of your voices from a technical point of view, using a variety of means from exercises to powerpoint presentations and audio-software. Not in the abstract, but in an experiential and personalised way. These specific instructions will be enhanced by methods to learn to express yourself better emotionally and freely, using the full range and colours of your voice. Parallel to this you will be informed about ‘ecologies’ of sound and music. In other words, ancient and modern sound practices around the world that can help you to have a healthier way of life and a more musical way of being.

Dates, times and location

Meetings are mostly on Saturdays, from 10 to 17 o’ clock, and sometimes on Sunday. They take place at the Canjune Training Centre, 4F, no. 3, Lane 151, Fuxing South Road, Section 2, Daan, Taipei. Tel. 02 – 27 00 72 91

Exact dates:

2014

Sat 27th  of September         10:00 – 17:00

Sat 25th  of October         10:00 – 17:00

Sat 22th    of November         10:00 – 17:00

Sun 28th  of December         10:00 – 17:00

2015

Sat 24th    of January         10:00 – 17:00

Sat 14th    of March         10:00 – 17:00

Sat 11th + Sun 12th   of April         10:00 – 17:00

Sat 16th    of May         10:00 – 17:00

Sat 13th    of June         10:00 – 17:00

Methods and subjects for the course

A detailed course schedule will be presented on the free trial classes on September 20, or is available on request. Here are some keywords to get an idea of what we practise and discuss in these 10 musical meetings.

* learning little-known vocal techniques

* do listening exercises

* do various meditation exercises

* watch your voice through the computer

* do body-mind work

* group chanting

* intuitively explore choral arrangements

* explore the many timbres of voices

* learn about related practices in/by

  • Buddhist chant
  • Christian prayers
  • Animistic and shamanistic cultures
  • Therapists and healers
  • Contemporary composers from the West
  • Traditional music
  • Improvised music

Language

The course will be conducted in English. Depending on the students, an interpreter will be present to summarise or translate (parts of) the course into Mandarin.

Requirements

No previous musical experience is required. For students who have already done one or more workshops of overtone singing there will still be plenty to learn. If you are in doubt contact us with your questions.

Prices

There are several ways to pay course fees. For those with a regular income or stipend, we give a suggested fee for the ten classes, plus some discount options. If the cost is too high, it is possible to make a donation according to spending power, as long as you show a strong motivation and invest enough time into your practise. We also welcome participants or outsiders to do a donation above the suggested course fee, which will go into organising and promoting free concerts and demonstrations of (part of ) our group and translating parts of the book Overtone Singing.

Each student receives:

  • The book/CD Overtone Singing (in English), by the teacher
  • A special CD with study materials for this course
  • Hand-out materials to read, during the course.

The suggested price per participant is 15.000 NT$ for ten classes. The following discounts apply (only one per person):

25 %: Students and seniors with valid identity cards for the duration of the course

15 % Early birds: if you register before August 20
early bird discount is extended to September 1!

Payment

If you want to register, we will ask you to make a downpayment of 50 % of the total fee. Email us your name, address, banking details and total fee. You will receive payment instructions.

The second payment of 50% may be paid before December 31st 2014.

Cancellation policy: registrations are for the whole year. It is not possible to do only part of the course. Once you start the course you will commit yourself to finish it. If you wish to cancel your pre-registration before the start of the course, we will withhold 5% administration charges.

Number of participants

To ensure that each student gets personal guidance, there is a maximum of 12 participants. The minimum number of participants is 6.

Certification and future training

We will collectively discuss everyone’s musical progress in a spirit of openness. It is possible that more advanced courses will be set up in the future for those who wish to learn more. For this and other purposes, it is possible to receive a proof of participation from Fusica at the end of the year.

Your guide

Mark van Tongeren by Yi-Jin Hsieh

Mark van Tongeren by Yi-Jin Hsieh

Mark van Tongeren is a vocal performer working at the intersection of art and science. In his artistic work he emphasises performance/theatrical aspects of music and collaborates with improvisers, composers as well as dancers and visual artists, most recently in ‘Play Dead’ with Biao (National Theatre). He is also an ethnomusicologist specialised in the music of South-Siberia, Mongolia and Tibet. Based on artistic performance research, he received a PhD from Leiden University in 2013. His book+CD Overtone Singing is a standard work covering many aspects of this singing technique. He is an independent teacher in Taiwan and abroad, amongst others at the X-Lab of ChengDa, and leads a weekly VoiceYoga class at the Aromatherapy Training Centre of CanJune. In recent years he began performing with Dutch singing bowl legend Hans de Back and developed an interest in the therapeutic aspects of sound. Currently one of his main interests is to teach people to enjoy sound as a path of self-discovery and a source of knowledge.

He lives in Taiwan with his wife June Wen and their two children.

INTERESTED? JOIN A FREE TRIAL CLASS ON SATURDAY SEPTEMBER 20, IN THE MORNING (10-12) OR AFTERNOON (14-16) at the Canjune Training Centre. No need to register, just walk in.

You may also direct your questions to info@fusica.nl (in any Western language) or to chichenlyv@gmail.com (in  Mandarin). Or call Canjune Spa 02 – 2772 1801 and ask for Angela.

Hong Kong overtone singing workshop

 

Hong Kong Vertical Horizon by RJL

Hong Kong Vertical Horizon by RJL

Next month, on Saturday 6 and Sunday 7 September, I’ll be in Hong Kong to teach a workshop of overtone singing. We will work with themes such as breathing, resonance, vowels, sound meditation, healing potential of the voice, and of course overtone singing techniques. In other words, a fine, balanced combination of factual knowledge about vibration and sound as an energy tool and exercises and meditations to develop your senses and connect deeper with your entire being through sound.

On Day 1 we forget everyting we know about sound and voice and  make a fresh start. Surprisingly, by doing less than we normally do, we notice more – and begin to know more. We return to a primary knowledge at the centre of the body-mind. You explore the hidden dimensions of your  voice through new techniques of hearing, sounding and singing.

Mark vocalising to Hans de Back's gong playing, June 2014

Mark vocalising to Hans de Back’s gong playing, June 2014

On Day 2  we continue to connect deeper and wider with the sounding  body within. We explore more techniques to sing overtones and can begin to hear them in our own mouths. By losing control of the voice, we find new paths of sound, which also means new paths of the self – a therapeutic experience. Experiencing yourself and others as musical human beings, you encounter new possibilities, new barriers, new connections …. Like Day 1, we end with a Q& A and a guided group improvisation.

More information and prices can be found on the blog of my Hong Kong host Jasmine Hui.

http://crystal-sound-energy.blogspot.hk/2014/06/92.html

Hong Kong image by Romain Jacquet-Lagrèze, who just published the photobook Vertical Horizon.

6/20: Concert with Hans de Back

2x Hans & Mark

2x Hans & Mark

My Dutch colleague, the singing-bowl maestro Hans de Back is about to return to Taiwan.  On June 20  there will be another evening of Harmonic-Guttural-Metal Music at Hansuna’s place.

請在此處搜尋中文資訊

Hans de Back will be playing his singing bowls, gong, Thai temple bells and a wide range of other metal/bronze instruments. I will busy myself with glossolalia, incantations in incomprehensible languages, overtone singing, play my new 12-tone sruti box and even some metally things: Jew’s harps from the Yakut people in Sakha (Siberia) and from the Hmong in Vietnam’s northern highlands.

This mesmerising blend of instrumental and vocal sounds can be enjoyed in the intimate atmoshphere of Hans and Una’s living room in the ShiDa area. Afterwards there will be a chance to try some things out for yourself under our guidance and ask questions.

Date and time: Friday, June 20, 2014, from 19:30 till 21.

Damage: 600 NT$.
You can reserve a seat by writing an email to Miss Una Kao:
unakao@yahoo.com.tw 
Also take note that this summer Hans will offer a new course where you learn to play singing bowls, including a 2-hour personal sound massage from Hans. Something I can highly recommend to anyone!