Musical pearls from Tuva in Taiwan

本活動中文詳細資訊請見本信下方說明。TuvanPearls EDM:

In April two excellent musicians and friends from Tuva are coming to Taiwan, so that people here can get better acquainted with this fascinating musical culture from the North. Get to know Tuvan music and culture and learn throat singing directly from established, original masters!

be amazed by Tuva’s signature sounds of throat singing

hear the beats of the shaman drum and Jew’s harp

resonate with the buzzing strings of horse-head fiddles and lute

get blown away by flutes from the steppe

THE PROGRAM FROM APRIL 11 TO 13

Saturday April 11, 19:30   Concert Pearls from Siberia, at Wistaria Teahouse.

Donation-based. Very limited seats!

At Wistaria, an atmospheric original Japanese building, you will be seated on tatami mats. The concert is purely acoustic, so you can enjoy the sounds directly with your own ears. An excellent way to get to know the amazing acoustic world that Tuvans have developed over the centuries. Tuva’s auditory culture has become an icon in the last two decades for its remarkable throat singing techniques, which they share with Mongolia. Choduraa Tumat and Otkun Dostay both perform seveal throat singing techniques, which you will be able to hear at close range: the soft, light technique called khöömei, the whistle-like sygyt and the thundering low kargyraa. In Tuva we also find the horse-head fiddle (igil) and erhu-like fiddle (byzaanchy), lutes (doshpuluur, chanzy) and flute (shoor), the Jew’s harp (khomus) and the shaman’s drum (dunggur), among others. Choduraa Tumat and Otkun Dostay master many of these and will play tunes and pieces from different regions and times in Tuva. Songs and pieces will be alternated with stories about and from Tuva and its rich musical folklore. The only public Tuvan concert in a very special intimate setting!

As a donation we suggest 500 NT$ for the perfomance, tea and a snack. Call Wistaria and leave your name and number for a seat: (02)2363-7375 or register here.

This event is sponsored by Wistaria.

Sunday April 12,  10-17      1-day workshop Tuvan throat singing and culture, at Canjune Training Center

Learn to sing khöömei, sygyt and/or kargyraa with Otkun Dostay and Choduraa Tumat. The one-day Throat Singing workshop will have not just one, but two expert throat singers, including a female throat singer. A rare opportunity to learn the three basic Tuvan styles of throat singing: khöömei, sygyt and kargyraa, which tend to be a little softer and therefore easier than the Mongolian counterpart. During the day you will learn about Tuvan music and culture and get plenty of chance to hear throat singing and try it for yourself. With a maximum of 15 students (plus perhaps a few listeners), there is a chance to get personal feedback from Choduraa or Otkun for everyone. About half the time will be devoted to throat singing, the other half to other music and culture of Tuva.

Otkun Dostay teaching khöömei in Venice

We aim at a 50/50 divide of male/female voices. The workshop is held in English/Russian with Chinese translation. Mark will be there to help translate Russian-English, if needed.

If you are interested and want to reserve a place, you can call or write Mark (mark@fusica.nl, 0910382749) or Wu Wentsui (wuwentsui@gmail.com, 0928867512).

This event is sponsored by Canjune.

Monday April 13, 19:30-21:30      Concert Tuvan music and culture. National Chengchi University, Arts and Culture Center, Audiovisual Theatre

This presentation features introductions, videos about the beautiful, unknown land of Tuva, a display of many styles of throat singing and different musical instruments. Choduraa Tumat and Otkun Dostay both perform seveal throat singing techniques: the soft, light technique called khöömei, the whistle-like sygyt and the thundering low kargyraa and other substyles. They will also present a selection of pieces and instruments found in Tuva, such as the horse-head fiddle (igil) and erhu-like fiddle (byzaanchy), lutes (doshpuluur, chanzy) and flute (shoor), the Jew’s harp (khomus) and the shaman’s drum (dunggur). Choduraa Tumat and Otkun Dostay master many of these. Songs and pieces will be alternated with stories about and from Tuva and its rich musical folklore. Afterwards there is a chance to talk to the musicians during the Q&A.

The concert at NCCU is free and open for everyone.  Just register here. Without reservation there may still be places when you come, there is no guarantee but there are 300+ seats.

This event is sponsored by the Mongolian and Tibetan Affairs Commission in Taiwan.

 

THE MUSICIANS

Otkun Dostay

In the late 1980s Dostay was the youngest member of the internationally acclaimed Tuva Ensemble. During the late Soviet era he enrolled a theatre school in Leningrad (now Sint-Petersburg), and was engaged in acting, dancing and storytelling. With fellow students Stanislav Iril and Olaak Ondar he took part in Buddhist ceremonies in Leningrad and founded the group Özüm (‘sprouts’). They recorded their first CD in 1991, published by Window to Europe/Orpheus. Dostay has continued to direct Özüm with changing group members over time. He plays horse-head fiddle, all the Tuvan varieties of Jew’s harp and the shaman’s drum. He organised festivals to commemorate the great throat-singer Gennadi Tumat in his native village Khandagayti. He is currently active as the founder-director of the Tuvan-Japanese friendship Center and works as a correspondent for Tuvan State Radio, under the State TV & Radio Company. He regularly performs in solo, duo and ensemble projects, which he toured in Germany, Italy, Norway, The Netherlands, Belgium, Finland, Sweden, Denmark, Morroco, Japan and China. He has been involved in recording, producing and playing on several CDs of Tuvan music published in Russia, Japan and Europe. In 2013 he published his first solo CD, an exciting mix of traditional songs and melodies with 21st-century sounds.

 

Choduraa Tumat

Born in Western Tuva, as a girl Tumat was fond of listening to khoomei and sygyt throat singing performed by her brothers. She studied traditional music in music college in Tuva and went on to become one of the world’s most active female overtone/throat singers, as well as the founder and artistic leader of the all-female throat-singing folk ensemble Tyva Kyzy (‘Daughters of Tuva’, www.tyvakyzy.com). She is an accomplished performer of all basic throat-singing styles, sings traditional folk songs, and plays various Tuvan string instruments, Jew’s harps and zither. As a performer, she received many titles in Tuva. She is a teacher of traditional music and khöömei throat-singing at the Pedagogical College of Tuvan State University in Tuva’s capitol Kyzyl. With Tyva Kyzy and with solo projects she toured extensivly in the USA, Poland, Russia, Spain, Portugal, France, Germany, the Netherlands, Finland, Norway, Sweden, Denmark and Japan. She recorded and released several CDs and DVDs, among which her outstanding solo CD Belek/ The Gift.

 

《西伯利亞溫暖的靈魂之聲》2015 台灣

聆聽薩滿擊鼓的節律和口簧琴彈出的音場
與琵琶和馬頭琴琴弦嗡嗡的共振
圖瓦傳奇的喉音叫人驚艷
讓草原的哨音將你吹往他方

本系列活動邀請兩位圖瓦喉音大師來台，讓您聆聽北方草原音樂之美並直接向大師學習道地的喉音，認識圖瓦傳統音樂與文化！

《圖瓦的女兒》Tyva Kyzy 主唱楚都拉．圖瑪特 (Chodurra Tumat)
《圖瓦樂團》Tuva Ensemble 歐特昆．都斯泰(Otkun Dostay)
今年四月為您帶來西伯利亞圖瓦共和國傳奇的「呼麥」喉音演唱與工作坊

《泛音歌唱》Overtone Singing作者與【共鳴】泛音課程教師及表演者Mark van Tongeren 馬克．范．湯格鄰策劃

本系列活動更多詳情及最新資訊請見：www.fusica.nl ; https://fusica.wordpress.com
活動聯絡信箱：mark@fusica.nl 連絡人 Mark / chichenlyv@gmail.com 李小姐

【喉音簡介】

俄羅斯境內的圖瓦共和國(Republic of Tuva)位於西伯利亞南部，與蒙語毗鄰，以具特色的喉音(throat singing)音樂引起全球音樂界的注意。著名的音樂家Sainkho Namtchylak就曾多次到台灣演出，以圖瓦音樂吟唱與爵士樂、電子樂等前衛即興音樂結合，讓台灣聽眾認識圖瓦傳統音樂的多樣性。

喉音，又名呼麥（khoomei)，最讓聽者驚豔的是能在一個演唱者的聲音中聽見高音與低音兩個聲部。圖瓦的喉音伴隨傳統樂器馬頭琴(igil)、琵琶(doshpuluur)、胡琴(byzaanchy)等，將圖瓦傳統音樂流傳至世界各地。

圖瓦喉音大致區分為以下幾種，包括khoomei（呼麥）、kargyraa(卡基拉)、sygyt（西奇）、chylandyk(蟋蟀鳴聲)、dumchuktaar(鼻音卡基拉)、ezengileer（馬鐙式唱法）、borbangnadyr(流水滾動音)等。此次獲邀來台表演的兩位音樂家楚都拉．圖瑪特Choduraa Tumat與歐特昆．都斯泰Otkun Dostay精於傳統圖瓦曲調、樂器演奏與喉音的各種技巧。楚都拉善於低沉的卡基拉與高音的西奇哨音。歐特昆則習於以內斂有致的呼麥演唱。

除了精湛的喉音，二人也精通各種傳統樂器。歐特昆演奏的樂器包含馬頭琴、雙弦琵琶 、薩滿鼓（dunggur)。楚都拉彈箏（chadagan)、拉奏雙弦胡琴、也吹奏橫笛(shoor)和口簧琴(khomus)。他們的音樂表演類型涵蓋圖瓦草根音樂、現代實驗音樂、長敘事曲、快板小調、傳統搖籃曲、民謠及召喚草原的樂器演奏。

【音樂家介紹】

Choduraa Tumat 楚都拉．圖瑪特

《圖瓦的女兒》女子喉音團體的團長楚都拉，1974年生於圖瓦共和國的Lyme小鎮，自小聽兄長唱呼麥及西奇，耳濡目染下喜歡上喉音。 女性喉音在圖瓦被視為禁忌，身為女性喉音演唱家，楚都拉勇敢地推動女性喉音，成立《圖瓦的女兒》女子喉音團體打破女性不得學習喉音演唱的傳統禁忌 。楚都拉為圖瓦的全才型藝術家，精通喉音中的各種技巧如繞富韻致的呼麥、低沉的卡基拉、高繞的西奇哨音、和如騎馬般充滿節律性的馬鐙唱法 ，曾獲邀至法國、德國、日本、芬蘭、瑞典、西班牙等地演出。楚都拉亦著力傳承喉音，在圖瓦多所大學及兒童音樂學校執教，推廣女性喉音。

Otkun Dostay 歐特昆．都斯泰

1970年生於圖瓦Khandagaity小鎮，為知名喉音演唱與馬頭琴表演者，亦是著名圖瓦民族音樂團體《圖瓦樂團》Tuva Ensemble的一員，於音樂上有卓越的成就，不斷受邀至日本、土耳其及荷蘭等地演出。歐特昆一直以來致力於圖瓦傳統音樂的傳承與創新，舉辦圖瓦喉音國際音樂節《Övur之地—西奇與呼麥》（Sygyt and khoomei in the land of Övur)。他不僅擔任全女子喉音團體《圖瓦的女兒》的經紀人，同時也在電視台製作音樂節目，極力推廣傳統音樂。目前於圖瓦的聯合國教科文組織UNESCO部門擔任主席。

紫藤廬喉音茶會
喉音與茶色的相遇

圖瓦傳統曲調與樂器演奏。曲目含口簧琴、搖籃曲、家鄉的名字、牧民之歌、薩滿鼓之即興、卡基拉與呼麥演唱。聽茶和人聲於喉頭間悠轉。

時間：2015.4.11 （週六）19：30-21：00（19：00 開放觀眾入座）
地點：紫藤廬（台北市大安區新生南路三段16巷1號）
音樂會採登記報名：請電洽紫藤廬(02)2363-7375 留下您的姓名電話完成報名
*本場次名額有限請儘快報名！
現場每人酌收活動費用 500 元，贊助音樂家演出及當日茶點供應。

贊助單位：紫籐廬
網址：http://www.wistariateahouse.com

「呼麥」喉音與圖瓦音樂工作坊
直接向難得的喉音女聲楚都拉．圖瑪特與喉音教學經驗豐富的歐特昆．都斯泰兩位圖瓦喉音大師學習道地的喉音，並從此認識圖瓦音樂與文化！

【上課內容】

圖瓦文化影片放映。介紹圖瓦語言中影響喉音發音口形的低母音及高母音。喉嚨暖身。學習圖瓦傳統民謠。

《學習喉音的三種技巧》
呼麥(khöömei)—可說是喉音的基礎，內斂的技巧唱出涵雅有致的泛音旋律。
西奇(sygyt)—如鳥鳴般具有穿透力的高哨音。
卡基拉(kargyraa)—不可思議的低音創造出豐富的泛音合聲，一個人唱出廣闊的音場！

成果呈現及分享。

【師資】

《圖瓦的女兒》Tyva Kyzy 主唱楚都拉．圖瑪特 (Choduraa Tumat)
《圖瓦樂團》Tuva Ensemble 歐特昆．都斯泰(Otkun Dostay)

時間：2015.4.12（週日）10:00-17:00 （中間一小時休息）
地點：肯園香氣私塾教室（台北市復興南路二段151巷3號4樓）＊近捷運「科技大樓」站
報名請洽：0928-867-512 / wuwentsui@gmail.com　連絡人：吳小姐
工作坊採小班制，名額有限請搶先報名！

課程更多詳情及最新消息公佈請見：www.fusica.nl ; https://fusica.wordpress.com

來自圖瓦的呼喚
政大呼麥音樂會
國立政治大學民族學系與斯拉夫語文學系聯合邀請
於政大藝文活動中心共同諦聽來自西伯利亞的呼喚！

《表演者》
《圖瓦的女兒》Tyva Kyzy 主唱楚都拉．圖瑪特 (Choduraa Tumat)
《圖瓦樂團》Tuva Ensemble 歐特昆．都斯泰(Otkun Dostay)

《節目內容》
圖瓦傳統曲調與口簧琴、馬頭琴、琵琶、胡琴、橫笛等傳統樂器演奏、幾種喉音技巧示範、搖籃曲、對家鄉的召喚、「我不會放棄唱我的呼麥」、卡基拉與呼麥演唱、薩滿鼓與人聲即興。

＊本音樂會活動含圖瓦傳統音樂與文化短片介紹暨演後交流。由政大民族學系藍美華老師主持，現場邀請民族音樂學專家馬克．范．湯格鄰介紹圖瓦音樂傳統，將遙遠的草原音樂傳送到台灣！

時間： 2015.4.13 （週一）19:30-21:30（19:00開放入場）
地點：政大藝文活動中心3F視聽館
活動對外開放報名 現場採自由入座。
（備取或未報名者於現場排候補入座。）
報名網址： http://moltke.cc.nccu.edu.tw/Registration
政大首頁/點擊右上角「訪客」進入「聯合報名系統」/搜尋「來自圖瓦的呼喚」
活動於開演前三週開放報名。
洽詢電話： （02）2939-3091 分機 63394　張小姐

主辦單位：國立政治大學民族學系、斯拉夫語文學系
協辦單位：蒙藏委員會、政大藝文中心

Sainkho Namtchylak returns to Taipei

Tuvan folksong / extended vocal techniques / throat singing-diva Sainkho performs once again in Taiwan. Sainkho was born in Soviet-era Tuva, in a Siberian outpost within eyesight of Mongolia. She developed more than average singing skills and during the late 1980s she took advantage of the political/cultural reformations (perestroika) to set out on an innovative career that soon put her in the international ranks of outstanding, progressive singers.

She moved to Austria in 1994, and was begged to come back to Tuva by president Sholban Kara-ool this month, while she visited Tuva.

She established her name with sweat and original interpretations of Tuvan songs in the early 1990s and experimental work. Nowadays much of Sainkho’s output is ecclectic, avant-garde, with an electrifying, ear-catching aura to it. She is an amazingly busy and energetic performer, who constantly travels the world to collaborate with ever new musicians, pouring out CD after CD, and re-inventing herself every year.

Exactly ten years ago, she gave a memorable concert in Zhongshan Hall, and a throat singing workshop in TNUA (reported in Chung Mingder’s book OM. Overtone singing as meditation). At that time she brought with her German Popov, an old friend of mine from Amsterdam (born in the Ukraine), and singer/guitarist Caspar David Sacker from Austria. I am happy to see that this time she works with a local musician (and again a friend of mine), the Taipei-based pianist Lee Shih-Yang. Also taking part will be Dickson Dee, a Hong Kong sound artist.

This concert is highly recommended for all people interested in Tuvan/Mongolian music, throat singing and new vocal techniques. When I spread this message through my Fusica newsletter there were still tickets left. Now there aren’t…  But I had reserved a bunch of tickets for the students of my R E S O N A N C E  course through Lee Shih-Yang. If you are interested respond quick (reply below) and I can see if he still has a ticket for the October 5 show for you . Tickets are 500 NT$ minus a little discount. Hope to see you there!

2014新點子樂展Innovation Series – 人聲風景「即興篇」
SoundScape-Improvisation Across the Horizon

Videolink Youku
Taipei,

Experimental Theatre

October 4 19:00

October 5, 14:30

Tuvan/Chinese throat-singing festival

I received news from Aldar Tamdyn, the good-hearted and pun-loving member of the Tuvan group Chirgilchin, who is now also the director of the Tuvan Cultural Center. There will be a combined festival of throat singing (khöömei, in Tuvan) to be held in Tuva AND in China. It is possible for participants (khoomeigie as Aldar calls them) to make the journey from Tuva to China with the Tuvan musicians, which promises to be an outstanding opportunity to immerse yourself deeply in throat singing and meet a lot of musicians from both sides of the Russian-Mongolian border.

Aldar wrote:

“Greetings Khoomeigie!
The Tuvan Cultural Center would like to personally invite you to the 2014 “Music of the Great Steppe Festival”. The festival will take place in Kyzyl, Tuva, Russia June 26-28, 2014. Participants are being invited from all over the world. We welcome your participation at our festival in the birthplace of Khoomei culture.”

Foreign throat singers and guttural artists who want to join the competition should get in touch with the organisers as soon as possible. If you have never been to Tuva and dream about once doing it, then perhaps this may be a good opportunity. Send an email to tuvancenter@gmail.com to register.

There is a chance to study in small groups with the excellent musicians
of Chirgilchin:

“We are also offering special master classes for those who choose to arrive in Tuva early. These classes will be taught by contemporary masters of the craft:

Mongun-ool Ondar, the recent recipient of “Notable Artist Of The Russian Federation” as well as many times Grand Prix winner of the International Khoomei Symposium and member of the world famous group, Chirgilchin.

Igor Koshkendey, recipient of the coveted “Throat Singer of the People of the Republic of Tuva”, a member of the Tuvan National Orchestra as well as a member of Chirgilchin.

Other teachers will include other members of the Tuvan National Orchestra, Ensemble Tuva, Alash, and Tyva Kyzy.

This is an incredible opportunity for the Khoomeigie enthusiast.
These Master classes will take place from June 19th thru the 28th.

During this meeting, we will be forming duets and trios with the students. Then we will drive to China to participate in the Throat Singing Festival for ensembles in Manchuria. “

This festival, the first festival of traditional Asian overtone singing to be held in China, takes place in the city of Manzhouli from July 5 to 9, 2014.

Manzhouli (map) is just across the Siberian border, and slightly east of the Republic of Mongolia. I guess it’s about a two-day car-journey from Tuva’s capital Kyzyl. Since it is a multinational event, permits to cross the border at Manzhouli should be included in the package or easy to obtain on the spot with the invitation of the festival.

The Tuvan Cultural Centre website offers a bit more information:
“The competition will be attended by the unique folklore groups from different parts of Russia, China and the Republic of Tuva. Organizers invite throat singers from other countries to participate in soloist competition.

To participate in the contest a competitor must complete an application and return it no later than May 1, 2014 by e -mail: tuvancenter@gmail.com”

Please also check the Tuvan Cultural Center’s website, http://tuvaculture.com. I suggest to those who are interested to write to the above email address a.s.a.p., to find out more details about participation fees, program, accommodation, visa, et cetera.

Catch a video of Chirgilchin playing for goats here on Youtube. “Chirgilchin normally plays music for people about goats. This performance is a song for goats about people.”

Attending conference on Overtone Singing in Sardinia

Conference Sardinia

End of next week I return to Europe again to attend a conference entitled “Music practices, identity and tradition: overtone and polyphonic singing in Sardinia and Central Asia.” It is organised by Sabrina Salis of the University of Sassari, Sardinia. Speakers and performers include Gian Nicola Spanu from the University of Sassari, Populos Tenore Nugoresu, Keith Howard from SOAS, London and myself. I’ll give a workshop and talk. Here is the abstract of my talk:

Discourses of authenticity surrounding traditional overtone singing practices.

The technique of singing overtones has been capturing the attention of a steadily growing number of listeners over the past decades. For audiences and practicing musicians alike, it brings to the forefront facts of the musical nature of an auditory reality that is inhabited by humans all over the world. For audiences new to the ability of the human voice to produce several pitches at the same time, the phenomenon itself leads to a breakthrough of habitual patterns of auditory perception and cognition; it may become a catalyst for deeper, personal transformations on levels beyond musical and auditory realms. For certain musicians from Sardinia, Tibet and the Altai-region, who are part of older traditions, the phenomenon itself is obviously not new. What is new, is the scientifically informed discourse that develops around their music, and also the associations that audiences make between their own traditional music on the one hand, and different traditions and (ancient) philosophical ideas about music on the other. Scientific discourse and ancient music philosophies are thus informed by previously unknown, older musical traditions, and vice versa.

 

Traditions, like those kept alive by Tibetan choirs, North-Asian throat singers and Sardinian polyphonic groups, sometimes lend authority, authenticity and credibility to singing harmonics for musicians outside these traditions. But what does this authority-claim mean for those inside and outside the traditions? Who are claiming what and on what bases? For example, how do non-traditional overtone singers use or abuse various traditions? Is it right to claim that traditions have a higher authority over certain musical techniques, in this case, overtone singing? Can this authority be extended to musical or acoustic phenomena as such? Several case studies from the literature and fieldwork will show the complexity of this issue, with different stances taken by musicians (and a scholar) inside and outside traditions. The overall picture emerging from such comparisons expands on the idea of my PhD Thresholds of the audible: about the polyphony of the body (2013). It shows that music, in theory and in practice, is a tool for drawing boundaries that inevitably keep fluctuating.

Workshop overtone/throat singing in Taipei

When: Sunday April 28 , 2013, 10 AM – 4:30 PM

Where: Can June Training Centre, Taipei

Chinese version of this post can be found here

Learning throat singing in Teeli, Tuva, 1993. Photo by Mark van Tongeren.

Contents of the workshop

The workshop introduces a number of basic exercises that allows singers and non-singers to develop a different attitude towards making sound and listening to sound. At the beginning, a number of exercises prepares us for breaking new musical ground. They deal with four themes: breath, resonance, silence and the interconnectedness of sound, body & mind. Gradually we focus more on listening to and singing our own harmonics.

Focus for today

On this day we will pay extra attention to throat singing techniques, as practised in Tuva and Mongolia. Throat singing is a particular variant of overtone singing (but we might as well say the reverse: that modern types of overtone singing are particular varieties of the older throat singing techniques from Central –North Asia). Throat singing requires special attention to the use of pressure on the vocal chords, necessary to obtain that powerful, distinct sound quality that makes throat singing unique among the world’s vocal techniques. Mark’s method assures that no one gets hurt.

For whom?

Every one-day workshop of overtone singing by Mark van Tongeren is a sound journey. Participants from very different backgrounds are gently led to discoveries that suit their own needs. The starting point is your own path as a musician, a speaker, a communicator or simply as a human being. Everyone is invited to participate and share. No previous is required, but familiarity with Mark’s Voice of Dao lessons will give you an advantage.

About the teacher

Mark van Tongeren is a musician and holds a PhD in music. He has traveled to Tuva to study with throat singers since 1993, and has worked with musicians from all other traditions as well (Mongolia, Altai, Khakassiya, Tibet, Bashkortostan, Sardinia, South Africa, in addition to avant-garde pioneers like Michael Vetter). He makes obscure vocal techniques and insiders’ knowledge available and accessible through lively examples, structured exercises, and explanations that reveal a profound understanding of the field of harmonics and overtone singing as a whole.

Tuvan throat singer and composer Andrei Öpei sings ina yurt. Teeli, 2000. Photo by Mark van Tongeren.

Registration and fees

Please register by sending an email to Una Kao: unakao@yahoo.com.tw (in Chinese or English) or to Mark van Tongeren: mark@fusica.nl (English only).

The fee for the one-day workshop is 3000 NT$, to be paid before the beginning of the workshop on the day itself. There is a discount if you bring a friend: then you pay NT$ 5000 instead of NT$ 3000. Those who have attended concerts, workshops or several weekly Voice of Dao sessions, may also be eligible for a discount. Please write us for the conditions or if you have any questions.

Chinese version of this post can be found here at Hansuna’s blog.

Tuvans in Beijing!

Otkun Dostai Choduraa Tumat

Friends in Beijing, don’t miss this opportunity:

Otkun and Choduraa bring their authentic and yet innovative Tuvan music to China for the first time. Take your chance to learn throat singing from original Tuvan masters!

Jan 13 SUN 16:00   Zajia Music Workshop:

Tuvan Traditional Throat Singing
with Choduraa Tumat and Otkun Dostay

Admission: 60rmb (student:40rmb)

工作坊座位有限，请提前预定：zajialab@163.com
Seats for the workshop are limited, please book your seat at zajialab@163.com

图瓦传统呼麦工作坊/音乐会
特邀图瓦音乐家：Choduraa Tumat 和Otkun Dostay

Tuvan Traditional Throat Singing with Choduraa Tumat and Otkun Dostay

工作坊时间 ：1月13日（周日）下午4点
费用：60元（学生：40元）*英文讲授
workshop: Jan 13(SUN) 4:00pm  60rmb(student:40rmb) and the class is in English

The website of Zajialab / Beijing Project Space:

http://site.douban.com/124288/

email: zajialab@126.com

Zajialab is a wonderful alternative space for arts events, and also the one and only distributor in China of my book/cd Overtone Singing, my solo cd Paraphony and Parafonia’s cd Sphere.

Tyva Kyzy in the Netherlands/Belgium

Tyva Kyzy/Daughters of Tuva

Dear friends of Siberian throat singing!

More than ten years ago I heard and saw Tyva Kyzy for the first time in Tuva, where they began their ascent to national and international fame. More than five years ago they were touring Europe, and I invited them to the Netherlands for some concerts and workshops. The performance hall at the Museum voor Volkenkunde in Leiden, where the concerts were held, could barely all the folk that came to listen these female throat singers. The workshops there and at the Royal Consevatory in The Hague were a big success.

I have special memories of their visit: my wife June was about to deliver a boy that we wanted to call Attar. This means (among other things) horses in Tuvan; a horse is traditionally one of the most valued possessions for a Tuvan.

One of the golden oldies of the ever lively Tuvan traditional music is Eki A’ttar, which means Good Horses. It also sounds the same as: Hello Attar! (ekii Attar).

And so Choduraa Tumat and her group performed the song Eki A’ttar for June and her baby. And it worked! The day after the concert in Leiden I had to stay home as June’s contractions started, so that I missed the workshop at the Royal Conservatory. The next day I our son Attar made his appearance in this world, healthily and filled with curiosity. Attar, too, is a litte more than five years old now.

Give these fantastic performers another warm welcome!

Listen to their beautiful music, or do a workshop in Antwerp!

For the die-hards Primitive Equations offers a special Tuvan-Tibetan New Year’s celebration, to round up the visit of these ladies from their Siberian home, 5000 kilometers straight to the East from Amsterdam.

And for those who cannot attend (like myself): Tyva Kyzy are the special guests at the Dutch TV program Vrije Geluiden, where they can be seen on Sunday March 4, and after that online on the highly recommended Vrije Geluiden Youtube channel (link will follow).

Fri Feb 18. 20:30.

Concert

Zuiderpershuis

Antwerpen

http://www.zuiderpershuis.be/

Same place: workshop throat singingand instrumental music.
sat 18.02.2012 13u00

Sun Feb 19

Concert

RASA

Utrecht

http://www.rasa.nl/

Shagaa/Oytulash/Losar/special event:

http://www.facebook.com/events/379337035416975/

 

MASAHIKO Riki live in Taipei

One of the best throat singers outside Tuva/Mongolia is performing a concert in Taipei. Japan’s MASAHIKO Riki is a long-time Tuva afficionado who traveled to the region many times and has studied and mastered its songs and its most revered instrument, the igil, for about fifteen years. Part of the popular Japanese duo Tarbagan (Tuvan for marmot), Riki will be performing solo in Taipei.

The concert will be held at Zi-teng-lu 紫藤廬 on Sunday 30th May at 7pm

http://wistariahouse.com/news.asp

Tuvans Tour Europe March ’10

Tuva (officially spelled Tyva) is organising presentations throughout Europe during the month of March. Musicians, dancers, handicraftsmen and visual artists started their tour in Finland and travel through Austria, Germany, Belgium, France, Spain.

Here is a short impression of the show in Finland, by Sauli Heikkilä

The Presentation of Republic of Tyva takes place:

in Helsinki (Finland) – March 1st and 2d,

in Warsaw (Poland) – March 6th, 7th and 8th
ul. Belwederska 25
http://www.ronik.org.pl/

in Vienna (Austria) – March 11th, 12th and 13th
Brahmsplatz 8, 1040, Wien, Österreich
Теl.: 0043/1/505 18 29 – 0
http://russischeskulturinstitut.at

in Berlin (Germany) – March 15th and 16th
Russische Haus der Wissenschaft und Kultur
Friedrichstraße 176-179
http://www.russisches-haus.de/

in Brussel (Belgium) – March 17th – 18th
Centre Culturel et Scientifigue de Russie 21,
rue du Meridien – 1210 Bruxelles
http://www.centreculturelrusse.be/

in Lille (France) – March 19th – 21th
in Paris (France) – March 21th-25th

in Madrid (Spain) – March 26th and 27th
Centro Ruso de Cooperacion Internacional Cultural y Cientifica Calle Velazquez, 155, Madrid, 28002, Espana
http://www.centroruso.info/

The best of Tuvan culture is in the Presentation’s programme:
* rituals conducted by Tuvan shamans led by the the main shaman of Tuva,
* ethno-dances by children ensemble “Edegey”, the winner of the International contests,
* expo of the handicrafts and traditional cloth,
* exhibition of the treasery ofScythian barrow “Arzhaan-II”,
* exhibition dedicated to the religions in Tyva (shamanism and buddism),
* photo-exhibition about Tuva in the beginning of XXth century and today,
* concerts and workshop of master throat-singers.

Updates can be found on the Overtone Music Network

http://www.overtone.cc/events/meet-the-spirit-of-asia-in